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Entries by Jen Mayhew (556)

Tuesday
Jun012010

James Cameron to the Rescue?

Following several failed attempts to stop the oil spill in the Gulf of Mexico that was caused by a rig explosion in April, federal officials have taken the logical next step:  they've called James Cameron.

I'm guessing that the surviving members of Bruce Willis' oil rig crew from Armageddon were busy.

As reported by the Washington Post, Cameron was among a group of scientists and other experts who met today with federal agencies, along with the Environmental Protection Agency, for a "brainstorming session" on how to stop what is now officially the worst oil leak in US history. 

Officials are consulting with Cameron due to his expertise with the underwater filming and remote vehicle technologies he used on his films Titanic and Avatar, in hopes that it will give them a clearer picture of the deadly leak so they can find a way to stop it once and for all. 

Cameron is no stranger to helping others with technology he used on his films - earlier this year he convinced NASA to install Avatar-style 3D cameras on their next Mars probe. 

While the idea that officials have now reached the point where they need to call upon the director of the Terminator movies to help stop an environmental disaster (do I even need to mention that they've also consulted with Kevin Costner?), sounds desperate to the point of comedy, there's nothing funny about the terrible damage this oil leak is causing to the Gulf Coast.  If Cameron's work (or Costner's, for that matter) is able to help them stop the leak, that would be a great thing - so let's hope it works.

Sunday
May302010

Weekend Box Office Report: May 28-30

Courtesy of Box Office Mojo:

1. Shrek Forever After - $43.3 million

2. Sex and the City 2 - $32.1 million

3. Prince of Persia: The Sands of Time - $30.1 million

4. Iron Man 2 - $16 million

5. Robin Hood - $10.3 million

6. Letters to Juliet - $5.9 million

7. Just Wright - $2.2 million

8. Date Night - $1.7 million

9. MacGruber - $1.4 million

10.  How to Train Your Dragon - $1 million

Looks like most people were at barbecues instead of movie theaters this weekend, with the Memorial Day weekend box office coming in at its lowest total in nearly a decade.

Family-favorite Shrek Forever After held on to the #1 spot, falling only 39% from last weekend, although it's still lagging behind the previous films in the series, even with what's usually the added benefit 3D/IMAX ticket sales.  Those sales dropped 6% from last weekend.  

Sex and the City 2 earned $32.1 million, but since it opened on Thursday the final total through the weekend was $46.3 million.  That's far below the $57 million the first Sex and the City film opened with two years ago. 

Disney's big-budget videogame adaptation Prince of Persia: The Sands of Time opened without much fanfare this weekend, earning a modest $30.2 million.  Looks like this won't turn out to be the next Pirates of the Caribbean-type franchise hit that the studio was hoping for (so it's a good thing they're working on a new Pirates movie right now).

Iron Man 2 came in at #4 with $16 million, which is below the $20.4 million the first Iron Man film earned on this same weekend in 2008, but the sequel's total domestic gross of $276 million has already surpassed the original film's $252 million total. 

Ridley Scott's Robin Hood rounded out the top five with $10.3 million, bringing its domestic total to $83 million.  While it may have a hard time passing the $100 million domestic mark, the movie continues to do well overseas with an additional $154 million.

Letters to Juliet managed to survive the Sex and the City opening weekend with $5.9 million.  Holdovers Just Wright, Date Night and even How to Train Your Dragon kept their places within the top 10 with solid weekend ticket sales.

MacGruber continued to go the way of the SNL skit that it was based on, dropping a whopping 63% and earning only $1.3 million.  With a barely noticable total of $7.1 million in ten days, it's currently the lowest-grossing SNL film.

Check back this week when Mitch reports back once the actual numbers are updated for the weekend.  Hope everyone is having a great Memorial Day! 

Sunday
May302010

Guillermo del Toro Drops Out of "The Hobbit"

This was news about the film version of The Hobbit that I did not want to hear:  Guillermo del Toro has officially departed the production.

Citing production delays due to the sale of the struggling MGM studio - both The Hobbit and a Lord of the Rings prequel film have yet to be greenlit - del Toro released the following statment to the fansite TheOneRing.net today:

“In light of ongoing delays in the setting of a start date for filming “The Hobbit,” I am faced with the hardest decision of my life.  After nearly two years of living, breathing and designing a world as rich as Tolkien’s Middle Earth, I must, with great regret, take leave from helming these wonderful pictures. I remain grateful to Peter, Fran and Philippa Boyens, New Line and Warner Brothers and to all my crew in New Zealand. I’ve been privileged to work in one of the greatest countries on earth with some of the best people ever in our craft and my life will be forever changed. The blessings have been plenty, but the mounting pressures of conflicting schedules have overwhelmed the time slot originally allocated for the project. Both as a co-writer and as a director, I wlsh the production nothing but the very best of luck and I will be first in line to see the finished product. I remain an ally to it and its makers, present and future, and fully support a smooth transition to a new director”.

A statement from executive producer Peter Jackson confirms that he will continue to work with del Toro to finish both Hobbit screenplays, along with Phillippa Boyens and Fran Walsh.  “We feel very sad to see Guillermo leave the Hobbit, but he has kept us fully in the loop and we understand how the protracted development time on these two films, due to reasons beyond anyone’s control – has compromised his commitment to other long term projects”, said Jackson. The bottom line is that Guillermo just didn’t feel he could commit six years to living in New Zealand, exclusively making these films, when his original commitment was for three years. Guillermo is one of the most remarkable creative spirits I’ve ever encountered and it has been a complete joy working with him. Guillermo’s strong vision is engrained into the scripts and designs of these two films, which are extremely fortunate to be blessed with his creative DNA”.

This is very disappointing news.  I'm a big fan of del Toro's work, and I was really looking forward to seeing what he would bring to The Hobbit, which is one of my favorite books.  It does sound like he will still be very much involved with the project, but it's a shame this whole MGM mess had to lead to this.

Regardless of this news, both films are still scheduled for release in December 2012 and December 2013, respectively. 

Wednesday
May262010

Toy Story 3's "Great Escape"

Less than a month to go until the movie I am most looking forward to seeing this summer:  Toy Story 3.  Disney/Pixar has released a behind-the-scenes featurette called "The Great Escape," revealing some details and clips on the story of the third and final Toy Story film:

Don't forget to check out the new clip from the movie too!


Toy Story 3 Exclusive Clip - Buzz Flies

 Toy Story 3 arrives in theaters on June 18th.  Can't wait.

Monday
May242010

"Lost" Alternate Endings, Sort Of

For anyone who didn't stay up to watch Jimmy Kimmel's Aloha to Lost special after the amazing series finale of Lost last night, here are the "alternate endings," to the show, which turned out to be spoofs on Survivor, The Sopranos, and the infamous Newhart finale. 

Loved the appearance by little Jacob in the background as Jimmy was doing the intro.

The actual deleted scenes (if there are any) will most likely have to wait until the Season 6 DVD release, which is scheduled for August. 

Sunday
May232010

Weekend Box Office: May 21-23

Courtesy of Box Office Mojo:

1. Shrek Forever After - $71.2 million

2. Iron Man 2 - $26.6 million

3. Robin Hood - $18.7 million

4. Letters to Juliet - $9.1 million

5. Just Wright - $4.2 million

6. MacGruber - $4.1 million

7. Date Night - $2.8 million

8. A Nightmare on Elm Street - $2.2 million

9. How to Train Your Dragon - $1.8 million

10. Kites - $1 million

As predicted, the fourth and final installment of Shrek ruled the box office this weekend, although it fell far short of Shrek the Third's $121 opening in 2007.  Tickets sold for IMAX/3D showings accounted for about 7% of the total weekend ticket sales...although news stories circulating on Friday about a supposed "error" that had AMC theaters raising ticket prices to $20 at the IMAX showings in New York (it was later corrected) probably didn't help get families to the IMAX shows this weekend.

There is some good news for Shrek:  it's one of the only family-friendly movies in theaters now, and it did get an excellent "A" Cinemascore rating from theatergoers (up from just a "B+" from the previous film), so it should have a few strong weekends until Toy Story 3 arrives next month.  While it won't be released overseas in most territories until after the World Cup, it did break box office records in Russia, where it opened to $20 million. 

Iron Man 2 dropped by almost half from last weekend, although it continues to do well, with another $26 million to bring its domestic take to $251 million in just over two weeks.  Its worldwide gross now stands at $506 million

After a lackluster first weekend, Robin Hood dropped by 48% this weekend, bringing its domestic total to $66.1 million.  It's still performing much better overseas, where it has grossed $125 million.  However, with an estimated budget of $200 million, it's unlikely we'll get the sequel that looked quite promising at the end of this film.

The romantic drama Letters to Juliet held up well, finishing the weekend with $9.1 million.  The comedy Just Wright rounded out the top five with another $4.2 million.

This weekend's other new wide release, MacGruber, looks likely to have a box office life shorter than the Saturday Night Live skit that it was based on.  Coming in with a barely noticable $4.1 million, it is the worst opening weekend for a film based on an SNL sketch, and the lowest wide-release for a movie this year.  Ouch.

Date Night and A Nightmare on Elm Street continue to perform well enough to remain in the top 10, and How to Train Your Dragon seems to finally be fading now that Shrek has taken over most of the 3D theaters.

The limited-release Bollywood film Kites debuted in 10th place, earning just over $1 million at only 208 theaters.

Check back with Mitch once the actual numbers come in tomorrow!

Thursday
May202010

The Empire Turns 30

"It is a dark time for the Rebellion.  Although the Death Star has been destroyed, Imperial troops have driven the Rebel forces from their hidden base and pursued them across the galaxy.  Evading the dreaded Imperial Starfleet, a group of freedom fighters led by Luke Skywalker has established a new secret base on the remote ice world of Hoth.  The evil lord Darth Vader, obsessed with finding young Skywalker, has dispatched thousands of remote probes into the far reaches of space..."

It has now been 30 years since Star Wars fans read that opening crawl for the first time.  Thirty years since we first heard John Williams' "Imperial March," watched a rebel base get destroyed by an army of AT-ATs, met Yoda, Boba Fett, and Lando Calrissian, found out what the odds of successfully navigating an asteroid field were, heard Harrison Ford's most famous ad-lib, and watched Luke Skywalker go from a Death Star-destroying hero to a Wampa-clobbered, Jedi-in-training who loses a hand and finds out that Darth Vader is his father just 10 minutes before the movie's end credits rolled.

May 21, 1980 was the day The Empire Strikes Back was released in theaters, and is still considered by many fans today to be one of the rare sequels that was even better than the original film.  Which is particularly impressive, considering that Star Wars was a cultural phenomenon when it was released in 1977.

A special anniversary screening of Empire was held at the Arclight Cinema in Los Angeles last night as part of Lucasfilm's year-long Empire Gives Back initiative, which will be holding screenings of the movie for various charities throughout the year (unfortunately, there doesn't appear to be any events planned for us New York-area fans).  Last night's screening, which raised over $40,000 for the St. Jude Children's Research Hospital, was attended by Empire stars Harrison Ford, Billy Dee Williams, Peter Mayhew (no relation!), the prequel trilogy's Obi-Wan, Ewan McGregor, as well as several of the voice actors from the Clone Wars animated series.  Other attendees included Jon Favreau and Christopher Nolan. 

Harrison Ford spoke highly of the film, “It was the only Star Wars movie I paid to see,” he told Wired. “I enjoyed it that much and went back to see it more than once.”

Ford also participated in a Q&A session with the audience, where he shared some well-known anecdotes about how Han Solo's infamous "I know" line came about, as well as how he arrived on the Norweigan Hoth set in a snowplow and filmed all of the outdoor scenes just steps away from the hotel due to the severe weather conditions.

He also praised his Wookie co-star, Peter Mayhew (who celebrated his 66th birthday yesterday), calling him "the hardest working man in show business at the time," since he not only had to spend long hours in that Chewbacca costume, he actually didn't fit in the Millenium Falcon cockpit set. 

On why Empire Strikes Back is still so popular after 30 years, Ford answered in typical fashion, "I don't know that I understood it very well, and I don't know that I understand it yet. The invention of it is obvious; even after 30 years, the originality of it was very striking for the time. The mythology of it is what it works as much as anything else, and I think George tapped into a psychic vein that made the whole thing work."

It certainly did work, I think that's one thing all Star Wars fans can agree on. 

Even if I don't get to see an anniversary screening of Empire (come on, Lucasfilm, show us some love!), I was lucky enough to have gotten to see it in theaters first time around in 1980, when I was only 6 years old.  I first saw Star Wars when I was 3, and had been obsessed with it ever since, so much so that when there was a Darth Vader appearance at our local mall, I not only believed my dad when he told me Vader's TIE fighter was in the parking lot, I claimed for weeks afterwards that I had actually seen the damn thing out there.

Empire was probably a little much for a 6-year-old, especially one who was so freaked out by Darth Vader that I wouldn't keep his action figure in my room with me at night.  Let's face it, the only other live-action movie I'd seen other than Star Wars by 1980 had starred The Muppets.  The good guys don't lose limbs or get beaten by the bad guys in movies you see when you're just out of kindergarten.

But that is definitely what made Empire so memorable, even 30 years later.  I still remember being stunned when Darth Vader told Luke "I am your father," and spending the next three years refusing to believe it was true.  We had no internet to give away the entire script to the next film years in advance, so we didn't get to find out what happened next until we actually got to see the next movie (which thanks to a surprise from my mom, I got to see on opening day in 1983).

It's something movies can't really get away with now, and it's a shame that's been lost.

As much as people these days like to complain how the prequel trilogy 'destroyed' their childhood, I find looking back on Empire Strikes Back now that my childhood memories of Star Wars are still very much intact.  And while I'm definitely feeling a little old now that two of my favorite movies have celebrated 30th anniversaries (and when Jedi gets there I'll officially feel older than Yoda), I'm glad I got to see them in the theater the first time around.

Happy Anniversary, Empire!  And may the Force continue to be with it for the next 30 years.

Tuesday
May182010

"Lost" Goodbyes

So we're nearly at the end.  Less than a week go before the final episode of Lost.  I have been addicted to this show since the very first episode, and as much as I can't wait to see where this all ends up (and I have been avoiding spoilers like the plague), I'm not looking forward to seeing it end, either.

Well, ABC decided to tug on the heartstrings of Lost fans everywhere by releasing this short retrospective from the cast:

Dammit, I'm gonna miss them all too!

Here's a rundown for everything planned for the final week of the show:

Tonight:  The penultimate episode, "What They Died For," which according to early buzz, is supposed to be a good one.

Thursday:  "Time Talks Live:  Lost," a live discussion with creators Damon Lindeloff and Carlton Cuse which will play in movie theaters for one night only.  Check here for a list of theaters and showtimes.

Saturday:  ABC will re-air the two-hour Lost pilot.

Sunday:  The Lost fun starts at 7pm with a two-hour retrospective.  Then, we're on to the 2-1/2 hour final episode, appropriately titled "The End," which starts at 9pm.  Then stick around after your local news for a special Jimmy Kimmel Live: Aloha to Lost at 12:05am, which will feature cast & crew interviews, three exclusive alternate endings, as well as Kimmel's famous Lost spoofs.

And then it's all over.  Can't say I'm looking forward to it (although, of course I am!)

Monday
May172010

A New 'Cinderella' From Disney

I guess we have Alice in Wonderland's $980 million worldwide box office total for this.  Disney has signed Aline Brosh McKenna to write a live-action "re-imagining" of the classic fairy tale Cinderella, according to a report from Deadline.

McKenna's previous screenwriting credits include The Devil Wears Prada and 27 Dresses.  The film will be produced by Simon Kinberg, who worked with McKenna on a rewrite of Date Night

No word yet on a release date or whether or not this new version of Cinderella will be in 3D (but it probably will be).  The deal with McKenna is reportedly a 7-figure deal, so it looks like Disney is putting a lot into this remake.  This makes sense, since the studio's 1950 animated film is arguably the most popular movie version of the story (she even has her own castle in one of their theme parks, for crying out loud), so a remake better be good.

I think it's a good choice for the live-action treatment.  I loved Disney's Enchanted, which was sort of the same story, but this could be even more fun because there's a lot of potential for the supporting characters to steal the show. 

I'm also curious to see if they plan to keep this strictly a princess movie - as I recall, Prince Charming doesn't do much else except be charming, and there's not an action sequence to be had.  Disney recently changed the title of their upcoming animated version of Rapunzel to Tangled to avoid that "princess movie" label that may have hurt their box office with The Princess and the Frog last year (and I loved that movie too).  So I'm sure there will be some tinkering with the story to make it fun for everyone.

So now that's two Disney princesses getting a makeover.  Am I the only one who thinks a live-action version of Mulan would be awesome?

Sunday
May162010

Weekend Box Office: May 14-16th

Courtesy of ComingSoon.net:

1. Iron Man 2:  $53 million

2. Robin Hood:  $37.1 million

3. Letters to Juliet:  $13.7 million

4. Just Wright:  $8.5 million

5. How to Train Your Dragon:  $5.1 million

6. A Nightmare on Elm Street:  $4.7 million

7. Date Night:  $4 million

8. The Back-Up Plan:  $2.4 million

9: Furry Vengeance:  $2.3 million

10. Clash of the Titans:  $1.2 million

As predicted, Iron Man 2 easily held the #1 spot over Robin Hood this weekend.  That's a 59% drop from the opening weekend, which is a pretty big drop, but it was still good enough to cross the $200 million mark domestically, and its worldwide total now stands at $457 million.

Ridley Scott's new version of Robin Hood finished the weekend with an OK (but not great) $37.1 million.  The good news for Universal is that it's doing much better overseas, where it grossed an additional $74 million - topping the opening weekends for both of the previous Ridley Scott/Russell Crowe films Gladiator and American Gangster.  The bad news is that at this point it's unlikely to make back its estimated $225 production costs.  

The romance drama Letters to Juliet, starring Amanda Seyfried, opened with an unremarkable $13.7 million.  The Queen Latifah comedy Just Wright also opened quietly with $8.5 million.

How to Train Your Dragon remained in the top 5, adding another $5.1 million to its $207 million domestic total.  Expect those numbers to go down once the new Shrek movie opens next week.

The remake of A Nightmare on Elm Street dropped to sixth place, with another $4.7 million.  Its domestic total now stands at $56.1 million, so if New Line is serious about that 3D sequel, now would be the time to get started on it.

The romantic comedies Date Night and The Break-Up Plan held up respectively over the weekend.  Furry Vengeance somehow still remains in the top 10 (seriously, who is seeing this movie?), and Clash of the Titans managed to cling to a few more theaters to claim the #10 spot with $1.25 million, however, it's already been outgrossed by Iron Man 2 and How to Train Your Dragon.

Check back for Mitch's update once the actuals come in.  I'll be curious to see what Iron Man 2's official numbers are for the weekend.